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He richly deserved it. I am no more modern than I am ancient, no more French than Chinese; and the idea of la patrie , the fatherland—that is, the obligation to live on a bit of earth colored red or blue on a map, and to detest the other bits colored green or black—has always seemed to me narrow, restricted and ferociously stupid.
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Winock is a master of all of this, and with contemporary French history at the heart of his interest, it is clear that, unlike many readers, his favorite Flaubert novel is not Madame Bovary but Sentimental Education. The hero even decides at one point to run for public office but quits in despair before voting day. This does not mean that Winock is any less interesting on Madame Bovary , despite its intense focus on character and relationships and its relative lack of political context.
The apothecary Homais is a town booster—he writes a weekly column about local events for a Rouen newspaper, the Fanal de Rouen —and it is his boosterism that leads to the bungled surgery that Dr. His dreary speech is intercalated with the scene of Emma and Rodolphe sitting in the unoccupied council chambers of the town hall, watching the proceedings, and its emptiness is clearly meant to cast a dismissive light on the growing intimacy of the two soon-to-be lovers.
This is about as far as national politics impinge on the world of Madame Bovary. He quotes extensively from the newspapers of the time, which reviewed new books at length in a way that by our standards today is almost inconceivable. This from the greatest stylist of his century! Victor Hugo told him he had insight and style, unlike Balzac, who only had insight.
Compliments from friends were clearly welcome, since the press was almost uniformly hostile to the novel. Zola, whose review was not precipitated by a request from Flaubert, knew better. It is of course a staple of the Flaubert story that he was exceedingly self-critical, often supposedly spending hours on a single sentence or days on a single page, frequently discarding pages of writing because of his Olympian standards. If assonance and consonance, not to mention alliteration, were a bugbear, however, what are we to make of the opening paragraph of Madame Bovary?
Gustave 1821 1880 Flaubert
This passage sounds to my ear at least like prose from which the writer has definitely not attempted to exclude the music of language. It is a strange word to choose. George Sand recognized that her great friend was a troubadour, or so she often addressed him in her letters, a poet whose poems were meant to be sung.
Proust and Kundera would both later state that, with Flaubert, the novel became the equal of the poem.
Poetic techniques were an essential aspect of the evolution. Winock tells us that the writer coined a word to describe his increasing certainty through the s that life was becoming unbearable: insupportation , from insupportable , the French word for intolerable. There were others. There were compensations in friends still living: Zola, Turgenev, the surviving de Goncourt brother, Edmond, the young Guy de Maupassant, who was a disciple as well as a companion.
But the writer who had always borne a streak of cynicism and loathing for life on earth, grew even more melancholy as the end neared. Michel Winock has written a compelling and stylish biography, and Nicholas Elliott has brought it into English with flair and skill. Almost without blemish—Albert de Broglie unaccountably becomes Alfred on p. The illustrations, taken wholly from the French edition but not reproduced in color as some of the latter were, contain only one photograph of Flaubert.
He was Giuseppe de Nittis, an Italian painter who showed at the very first Impressionist exhibition in Paris. Belknap Press. During his boyhood, the Flaubert family lived in one of the wings of the hospital where his father worked. At his father's urging, Flaubert enrolled in law school in Paris in However, Flaubert suffered from an epileptic seizure in January of while riding home from school. Although he recovered, he continued to suffer relapses. After this point, his father accepted Gustave's decision to pursue writing as a career.
Flaubert was also a close friend and frequent correspondent of Amantine-Aurore-Lucile Dupin, a French novelist and feminist who wrote under the pseudonym George Sand. He went on to have a successful literary career and is viewed as one of the great French novelists. Flaubert died on May 8, of a stroke. The Gustave Flaubert Correspondence collection contains incoming and outgoing correspondence from the French author.
The bulk of the collection is outgoing correspondence with the exception being a single letter from George Sand to Flaubert. The collection contains one series, Correspondence, which is divided into two subseries: Incoming correspondence and Outgoing correspondence.
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The majority of our archival and manuscript collections are housed offsite and require advanced notice for retrieval. Researchers are encouraged to contact us in advance concerning the collection material they wish to access for their research. Written permission must be obtained from SCRC and all relevant rights holders before publishing quotations, excerpts or images from any materials in this collection.
Overview of the Collection Creator: Flaubert, Gustave, SC Abstract: Papers of the French author, novelist. Twenty-eight outgoing letters, and one incoming from George Sand 14 June
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